Wellington based print artist Kyla Cresswell utilizes intaglio and wood-based techniques to explore the sense of quiet and stillness embedded in the landscape. https://inaarraoui.com/kyla-cresswell/
Happy New Year everyone! So far 2020 has been like a dream, getting to work every morning in the Il Bisonte Printmaking studio in Florence alongside talented print people, technicians and tutors. It’s been such a challenge being completely out of my comfort zone of relief printing and learning all about etching and the many techniques that come under the umbrella of this process, such as aquatint, Gum arabic, chine Cole, dry-point, spit-bite, soft ground……..the list is endless! I’ve got total FOMO and want to try everything all at once.
This print above is my first multi-technique etching using hard ground, gum arabic and aquatint. A lot of work yet to do on it but was thrilled to discover I can achieve similar poetics of bold lines, shapes and patters, which attracts me to woodblock and stencils. There is so much I’m learning everyday and not just technically but how to get the different elements of the image to speak to each other and embody an idea.
And just when I think – hey, that’s quite good, my tutors show me something even more mind-blowingly beautiful that makes me want to try again and keep pushing my boundaries.
So, yeah, probably won’t have heaps of time for updates for the next 6 months while Im on this journey, but I’ll keep you all updated on FB and insta.