Waterless Lithography Workshop

I had the wonderful opportunity to spend the weekend with tutor Kathy Boyle alongside other talented printmakers to learn about this interesting alternative to traditional lithography. We experimented with a range of mark making using drawing materials from sharpie markers to crayola washable markers and create some wonderful organic “washy effects” using the toner from used print cartridges and Indian ink. This is also a wonderful way to incorporate photographic images into your work, which were first printed onto acetate using a printer before being transferred onto the plate. And it can be used like a gelliplate – pressing leaves and other textures onto the plate to make an impression. Once we had several plates, we could have fun experimenting with layering and using different colours.

What I really loved about this technique, was not only the endless possibilities, but also that it is something that can easily be done from home with minimal materials. Preparing and processing the plate was quick and simple, although if you’re impatient you’ll need to cure the plate in an oven and to transfer photographic images you need an iron (needs to be quite powerful, as we discovered the lower watt one was ineffective). When cleaning the plate you need acetone for some materials so will need a ventilated area, unless that smell doesn’t bother you!

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